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Coming of Age (or Internal) Genres

So, before I continue on the path of laying out each individual genre in this continuing series, I think it’s good to take a moment to talk about the category ‘Coming of Age’. This is the Internal Genre, where the story is driven by the hero’s personal struggles, rather than a villain they must defeat.

By ‘Coming of Age’, I do not mean a teen romance. I’m willing to bet that, when you hear that term, you think of a young adult category.

I won’t argue that these types of stories certainly seem to appeal in a deep way to young people who are only just beginning to understand life; however, a ‘coming of age’ can imply far more. Every person is learning and re-learning life all the time, and stages of maturity and realization happen for us sometimes at 12, sometimes at 20, and sometimes at 75, so I think it is fair to say that a ‘Coming of Age’ story can happen for anyone, and appeal to anyone.

There are 4 ‘coming of age’ categories that my brother and I have been able to identify so far. I’m not sure yet if there are more than these, and would love to hear what you think!

They are:

  1. Death
  2. Self-Delusion
  3. Romance
  4. Responsibility

I’ll use death to explain this a bit more. Sometimes there is a story like My Girl, where the main character has to deal with death at a young age, and matures through that process. But there are also stories like A Christmas Carol, in which an old man has to come to scrooge-and-tim.jpgterms with his own mortality, and becomes a more whole person because of it. Both of these, in a sense, are ‘Coming of Age’ stories. They deal with someone who begins the story incomplete, or possibly broken, in some way. And when the story is over, they have grown, learned, and moved on, embracing the reality that they had before ignored or been ignorant of.

So the criteria for a ‘Coming of Age’ story is:

  • There is a reality, or truth, of life – such as death or love.
  • Main character denies or does not know about this reality.
  • The reality confronts the character with unavoidable force.
  • They run from it, rebel against it, do not want to accept it.
  • Finally, they must accept it, although they have to die (in a metaphorical sense) to a part of themselves to do so.
  • They are a more complete person after accepting it.

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So there you have it! I’ll be diving into each section in detail soon, so keep an eye out.

Are there any ‘coming of age’ stories you can think of, or any other genres that fall under this heading? Are there any stories you would like me to explore to see what genre they fall under?

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Romance

It’s been awhile since I’ve done a post about genre, and I think it’s overdue.

Romance is another of the simple genres, so I’m going to get that one out of the way with this post.

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Most of us could say right off the bat what a romance genre is. Romance begins with two people who are not in love, and who are in some way closed to falling in love. Usually their problem is internal, but sometimes it is an external obstacle. By the end of the story, they’re both in love. That, in its barest form, is romance.

Example romance stories are:

Pride and Prejudice

You’ve Got Mail

Sleepless in Seattle

The Lake House

27 Dresses

How to Lose a Guy in 10 Days

Romance is the first of the INTERNAL GENRES that I’ve posted about. Internal Genre stories are all driven by a personal problem for the protagonist. As the story progresses, the main character has to shift their world view until they see the world differently. For the Romance Genre, the World View is a shift from ‘closed to love’ to ‘open to love.’

And just to avoid any confusion, the love must be amorous and romantic in order for the story to be a Romance. Other types of love, such as a parent for a child, friendship, or pet love, would not be a romance.

I’ll do Action/Adventure Next! Keep an eye out!